THE ETYMOLOGY OF SPRUCE
by Joyce Wilson
Joyce Wilson’s first book, with its intriguing, seductive title, is long overdue. It has the virtues of a
first book—a fresh voice with a fresh perspective—but none of the drawbacks. This is a very grown-up enterprise,
loving without sinking into sentimentality, aware of life’s ironies and horrors yet confident enough—as in the
remarkable couplets of “The Rodin Drawing” —to accept the possibility of a happy ending. I know I won’t forget
these poems and look forward to re-reading them with pleasure.
—Lloyd Schwartz, University of Massachusetts Boston
This is Joyce Wilson’s book of memory, where we see its deep roots and dynamic energies, the way it flowers
in images of beauty and pain, images that the poet both embraces and resists. In these beautifully crafted poems
the imagined past helps make the present tense of life more real, as real as can be, even beautiful.
—Fred Marchant, Suffolk University
I love these poems for their intimacy, humor, and surprise. It’s hard to write well about writing, yet she
does it here in more than one poem. Her approach to writing about writing is workmanlike and highly original.
—Ellen Davis, Boston University
Joyce Wilson, editor and creator of The Poetry Porch, a magazine on the Internet at
www.poetryporch.com, has taught English at Suffolk University and Boston University. Her poems
have appeared in literary journals such as Antigonish Review, Agni, Cyphers,
Harvard Review, and Poetry Ireland. One of her poems won the Daniel Varoujan Award from the
New England Poetry Club of Cambridge, Massachusetts, and another won the Katharine Lee Bates Award from the
Falmouth Historical Society. She reviews books of poetry regularly for Harvard Review; other reviews
can be read online at The Drunken Boat at www.thedrunkenboat.com.